The Status of Women in the Canadian Arts and Cultural Industries: Research Review 2010-2018

This research review from the Ontario Arts Council provides a synthesis of existing research on the status of women in the arts in Ontario and Canada. The authors found that while the overall gender composition of the arts and cultural industries in Ontario is equal, gender imbalances exist in some disciplines. Even in sectors that were numerically gender balanced or equal, significant gendered differences exist in areas like income, leadership roles, and career and industry recognition.

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Canadians’ Arts, Culture, and Heritage Participation in 2016

Hill Strategies report based on Statistics Canada’s 2016 General Social Survey (Canadians at Work and Home) finds that in 2016, virtually all Canadians (15 or older) participated in some type of arts, culture, or heritage activity (100%, or 99.5% if rounded to one decimal place). Arts attendance levels were very high, with nearly nine in ten Canadians (86%) attending an art gallery, an arts performance, an artistic or cultural or festival, or a movie theatre. Half (4.8 million) of Canadians 15 or older made or performed art in 2016.

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Live-to-Digital in the Arts

Report for the Arts Council England assesses the overall state of live to digital arts in England, across music, dance, opera, visual arts, literature, combined arts and museums (theatre is the subject of a previous report, linked in the publication). Findings include that barriers such as cost, lack of staff time, and lack of digital knowledge still prevent many organizations from using live technology; and though the demographic profile of those consuming live-to-digital is similar to current arts audiences, there is a desire amongst consumers to engage in live-to-digital in the future.

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Trade of Culture and Sport Products, 2016

An extension of Statistics Canada’s Canadian Culture Satellite Account and the Provincial and Territorial Culture Satellite Indicators, that monetizes the exports and imports of culture in Canada and compares cultural exports between the provinces. Canadian cultural exports ($16.0 billion) represented 2.5% of all exports from Canada in 2016. Imports of culture products were $20.8 billion, or 3.1% of all imports to Canada in 2016.

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Culture in Treaties and Agreements

Examines application of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Recommendations include that countries work toward advancing the position of culture in international trade negotiations, and promoting the specificity of cultural goods and services in the digital environment.

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Focus Groups on Canadians’ Participation in the Arts

Report commissioned by the Department of Canadian Heritage on Canadians’ behaviours related to arts attendance and participation, in the context of demographic and technological change. Examines motivations and barriers to arts attendance; the relationship between Canadians’ online consumption of the arts and their live arts attendance; and the role of arts attendance in fostering attachment to community.

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The Status of Women in the Canadian Arts and Cultural Industries: Research Review 2010-18

A review of the existing research on the status of women in the arts and cultural industries in Canada (with a particular focus on Ontario) commissioned by the Ontario Arts Council. Covers six sectors: visual arts, dance, theatre, literature, music, and media arts/screen. Key findings include employment inequality (divided by sector) and a gender-based income gap, despite equivalency in education and training.

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Government of Canada Survey of Heritage Institutions: 2017

Based on an online survey as well as data from the Canada Revenue Agency, this report summarizes national and provincial data on heritage institutions in 2015. The total revenues of heritage organizations were estimated at $2.53 billion in 2015, a 29% increase from 2011 (figures have not been adjusted for inflation).

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Young People’s Cultural Journeys

Report from Arts Connect in the UK gathers data on young people’s engagement in culture, and motivations and barriers for doing so, and discovers that engagement is broad, flexible, and being changed by digital technologies. Recommendations for arts organizations include embracing young people’s wider perceptions of arts and culture, providing increased digital content, and providing opportunities for creative skills development.

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